What makes somebody a professional? At the most basic level, it’s earning your stripes well enough that perfect strangers will pay you to work for them. By those broad standards I already consider myself a professional editor, but there’s more to it than that. Laurels aren’t for sitting on. It’s one thing to be approached by indie authors or hired by small-press publishers, but quite another to be recognised by industry peers and leaders in the field. To that purpose, and to boost my ongoing professional development, I have now joined the CIEP.
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We, the Remedials – a performed reading
Hello! We, the Remedials, welcome you to our humble hotel. We trust you will have a pleasant, comfortable and enlightening stay with us, however long it may last. If you find that you need anything, be sure and ask – that is why we are here, after all!
This is the latest of my performed readings, bringing your writing to life and hopefully helping to find you a few more readers. In this peculiar tale, our unremarkable hero finds himself out of his depth in the big city and trapped in a waking nightmare. Welcome to The Remedial. It’s been waiting for you.
Principles, promises and values
Writing is a very personal business, and entrusting someone with your manuscript can be a daunting prospect. It feels appropriate therefore, to set out the principles that guide me and the values I hold personally. You may judge me by them and hold me to them.
Geek families (Finding Me, part 3)
I threw myself into fatherhood with great enthusiasm. We didn’t know what we were doing – who the heck does? – but Clo and I supported each other and figured things out as a team. One of the things we figured out early on was that children are adaptable. So long as she was loved and cared for, Summer-Rose would be perfectly able deal with whatever world she grew up in—and if that happened to include weekends camping in ruined castles while Clover and I got our medieval groove on, then all the better. It provided a change of scene and gave her some childhood magic.
Le Mort Vivant, pt2 – a performed reading
Welcome to the second part of this month’s performed reading: Le Mort Vivant. Fleeing the hypnotic Violet, our monstrous youth returns to the questionable safety of home. Confronted by a scene of bloody murder, he finds the net closing in on all sides. Can he protect the girl from his mother? Is the mysterious stranger really his father? Can anything be salvaged from the conflagration? This is the conclusion of Steven Chapman’s secret origin of The Phantom of the Opera in all its tragic glory. (Oh, and here’s the link to part 1 in case you missed it.)
Le Mort Vivant, pt1 – a performed reading
This month’s performed reading is Le Mort Vivant, by Steven Chapman. It’s the tale of a monstrous youth. Hiding in the shadows of the Palais Garnier, a masked figure looks longingly at a world he’s forbidden to touch—until he chances upon a precocious girl at the heart of his lair, and a ghastly family secret. Yes – this is the secret origin of The Phantom of the Opera in all its tragic glory. The story is longer than usual, so I’ve taken the decision to split it in two, breaking off at an appropriate point. Fear not, pt2 will arrive next week, so you won’t have to wait long.
The Minotaur (Finding Me, part 2)
It’s a funny old business, life. Some people seem set up, right from the start. They know who they are, what they are, and how to get along. Some folk even seem to know what the future holds for them – or at least they have firm plans. I was a late starter; blinking, dazed, and unsure of myself. University gave me independence and self-confidence, my girlfriend gave me love and companionship, and I thought that was all I’d need. It was stability, but I still hadn’t found ‘me’. Not yet.
Seeking Resolution
I recently discussed ways in which we can avoid conflict when editing (or being edited) in a blog post called ‘It ain’t what we say’. You might think of today’s post as something of a follow-up, though it has applications in the real world too.
The Cardiac Ordeal – a performed reading
This month’s performed reading is The Cardiac Ordeal, by Andrew Freudenberg. It’s a tense tale which involves the kidnapping of a toddler and the chilling lengths her dad goes to in order to try to recover her. (If this concerns you, rest assured there is no form of abuse either witnessed or intimated in the story.)
It’s the way that we say it
Writing is a perilous thing. Thoughts flit to and fro, speech vanishes in a half-remembered haze, but written words are here to stay. Fixed. Scrutinised long after the fact. If we choose them poorly, we can destroy our relationships, our sales and our reputations.
Reinvention (Finding Me, part 1)
I’m happier now than I have even been – personally, socially, and professionally. If that sounds like a boast, I beg forgiveness, but when I look back along my footsteps, it feels nothing short of miraculous. I’ve been through bad times and mad times. These days, life feels pretty sweet. The secret? It came down to finally finding ‘me’.
Christmas Fare – a performed reading
This month’s performed reading is Christmas Fare, a short story by Pippa Bailey. It may seem an odd time of year to put out this kind of tale, but for our main character, it’s Christmas every day. Originally written with a ‘Hallmark Cinematic Universe’ kind of thing in mind, Pippa takes some familiar tropes and has some good gory fun with it.
Thinking about Purpose – Parsing Judgement #1
‘Parsing’ (v.) The act of analysing a sentence into its constituent parts.
‘Judgement’ (n.) An opinion held or conclusion reached.
I came very close to dumping the title of this blog series, but I’ve come back around to it. Forgive me getting a little meta, but I’m going to use my internal debate on the subject to help illustrate the concept and the value of Purpose for your own writing.
Swimming Out to Sea – a performed reading
Welcome back, one and all. I’ve had a fair few people stick up their hands to get a story recorded for this, my monthly foray into audio narration. This half-hour horror comes from the mind of the wonderful Penny Jones. It’s a quietly disturbing tale of disorientation, set at the seaside on a roasting-hot day. Swimming Out To Sea was originally featured in The Black Room Manuscripts vol. 4 from The Sinister Horror Company, but it can also be found in Suffer Little Children, Penny’s micro-collection for Black Shuck Books.
Breaking through (Cracking Isolation, part 3)
Welcome back all, and thanks for bearing with me. In part 1, I spoke of my childhood experience of loneliness and some of the ways in which I began to break free. Part 2 had me thinking about the different behaviours I’ve seen in other people that revealed their own isolation, either overtly or covertly. As I said at the time, I’m not a qualified expert on the matter, so please keep that caveat in mind as I now consider what we might actually do about it in this, the final part of the series.
The heart of it all
What do people look for in a copy-editor? It seems nuts to say it, but the full importance of this question didn’t really sink in until recently. Not to any kind of depth. The basic needs are obvious: (i.) to catch your mistakes before publication, and (ii.) to help improve your writing. But what makes an editor shine? We’re going to dig into that a bit today.
Spotting the signs (Cracking Isolation, part 2)
It doesn’t take a pandemic to keep an introvert or an agoraphobe locked away. We like small, controllable environments. Plenty of people have found themselves isolated by virtue of their career, whilst others are minimising human contact out of a sense of social responsibility. Isolation is not always a bad thing. However when isolation is combined with feelings of loneliness and helplessness, it can feel like the cruellest affliction.
Taking stock
The freelance life can feel pretty perilous, bobbing about on the waves of economy. I’ve just about kept my head above water so far, but I recognise the dangers below. It wouldn’t take too much to sink me. Rather than powering on blindly, I thought it wise to take a moment to pause, tread water, and take stock of my situation. See how I’m doing—really. In short, I’ve just given myself a Quarterly Review.
The Shape off the Bow – a performed reading
Well, I enjoyed performing my own story so much, I decided to try another one. Fellow Burdizzo Books author, Lex H. Jones put out a call recently, asking if anyone would be prepared to record a story from his new collection, Whistling Past the Graveyard as a favour. I’ve not read Lex before, but I wanted the opportunity to get some more audio practice in, so I stuck my hand up. The story I present today is The Shape Off The Bow – a half-hour maritime tale of an ill-fated treasure hunt, isolation, madness, and something unnatural floating up there, just off the bow. Turn off the lights, settle back, and let the (sound)waves wash over you…
Game Talk – interview excerpts
Hi folks, it’s blog time again. This one is a pared-down version of an interview conducted by the author C.C. Adams for his recent blog series, probing the thought processes, values, and strategies of people he feels have ‘got game’ when it comes to the business of writing – or in my case, editing. You’ll find links to the full interview and the rest of his blog series at the end. Cheers.