I’ve had some difficult conversations with clients (and prospective clients) over the years. People can be…resistant to constructive criticism, despite the fact they’re paying for it—all the more so if there’s an inherent issue to the writing that stains character and plot. Some of the most delicate conversations, I find, are those in which the issues of subconscious misogyny, racism or bigotry must be raised. Writing is intensely personal, after all. But look, horror fiction is my bread and butter; *context matters, so I’m here today to help parse the difference between portraying repugnant things and absorbing them into your writing.
Stilled Life – flash fiction
Now that I’ve started to charge for my audio work, I’m flipping my Hobby weeks back to writing flash fiction. As previously discussed, writing is hard, but I feel a responsibility as an editor to keep myself at the sharp end of it, honing my own skills to better empathise with and advise my clients. …
