Freelance Editor Dion Winton-Polak Proofreading Copyediting

What is it like working with Dion?


Dion gave me valuable, comprehensive and thorough structural insights on a project I’m working on. It was a worthy investment, and I would certainly recommend him.
K.T. Davies – The Red Knight


Dion was a diligent and important contributor in the development of my novel from draft to draft. Aside from picking up a few crucial mistakes, he also asked important and challenging questions, always with a view to strengthening the story and how it was being delivered.
Allen StroudFearless / Phoenix Point: The Briefing)


I found Dion professional to work with and the book was all the better for his edits. I’d definitely recommend him.
Paul KaneThe Rot


Dion is a fine editor. Excellent attention to detail. I feel very lucky to have had him on my side.
Malcolm DevlinYou Will Grow Into Them

Want me to edit YOUR work?

Dion is my go-to editor for UK novels. He has a great eye for detail and a tireless work ethic. He’s a joy to work with.
Graeme Reynolds – Publisher – Horrific Tales Publishing


Dion proves himself very thorough and accurate in his work with us, and has shown a particular sensitivity to and respect for the author’s work. His enthusiasm for the project is coupled with his professional manner and reliability with deadlines.
George Sandison – Publisher – Unsung Stories


The thing with Dion is that his passion and enthusiasm shows through in every project he works on. From conception to final proof, his level of dedication is second to none.
Steve J. Shaw – Publisher – Black Shuck Books


The Fine-toothed Comb isn’t just Dion’s business name, it’s his mission statement too. The editing work he undertook on our behalf was insightful, comprehensive and assured. Turnaround times were fantastic and the whole process worked like a dream.
Ross Warren – Publisher – Dark Minds Press

Ask Me A Question

I must say that the biggest thing for me has been how personable and approachable you are (both via email and social networking) which is really important. You feel like a real person, rather than a red pen! I found your editing both sympathetic and strict, which is exactly the balance it needs to be. You helped me improve my story, particularly in ranking up the emotion. I truly believe this story to be the best thing I’ve ever written, and you helped to make it even better.
Angeline TrevenaSunny, with a Chance of Zombies


Courteous, professional, thorough – Dion seems to instinctively grasp that the role of a good editor is to help shape and hone the text into the best it can possibly be. Unafraid to make bold suggestions, he’s also deeply responsive to a writer’s vision and voice. Working with him on my frankly bloody awkward collection was a pleasure, and the final book is much, much stronger for his input.
Kit PowerA Warning about Your Future Enslavement that You Will Dismiss as a Collection of Short Stories and Essays


Dion is a passionate and professional editor with a keen eye for detail. His enthusiasm and approachability made all the difference. I felt secure in the knowledge that any changes he suggested would ensure that my novella was the best it could be.
Penny Jones – Matryoshka


Dion is a dedicated editor who works with the writer to make their story sing. His respect for both the work and the authorial style, combined with his skill and professionalism, have made him my first call for future projects.
Eric Nash – Along the Corpse Road

Spread Your Costs

You need your writing to be as good as it can possibly be, while still being yours, in your voice. You need a suggestion on how to make that difficult and vital paragraph a lot clearer than it is now. You need to know that you’ve got the psychology of your characters straight – or properly crooked! You need to know the story makes sense. You need to know that it works. You need Dion. He’s there for you. You’ll thank me.
David Baume – Cat’s Eyes / Road Safety / With All My Love / Dry Stone Wall<


He brings the open mind and patience to see what the creator is trying to convey, and work with them to deliver that vision – never losing sight of the fact that it’s the author’s story to tell. A consummate professional. I have no qualms in recommending his services to anyone looking to tighten and polish their work.
C.C. Adams – There Goes Pretty / Downwind Alice


Dion’s feedback was clear, concise, and extremely helpful. I wouldn’t think twice about using him again!
Mike GarleyThe Night Before / The Return of the Samurai Slasher


Dion kicked my arse, editing-wise, but in a polite and really helpful way. Easily one of the best editors I’ve worked with. He’s so thorough he’ll probably edit this testimonial for me.
Rich HawkinsThe Cold

SUBMIT Your Manuscript HERE

It was fun. Glad to say, it wasn’t too traumatic. I knew there were likely to be a few tweaks to help continuity (since I was submitting to a shared world book that was evolving all the time) but you also made suggestions that strengthened the story on its own merits.
Mike ChinnThis Twisted Earth (Vol.1)


As an editor, Dion is possessed of a keen eye for detail tempered with a loving grasp of the narrative whole. His passionate editorial approach is driven by the uncompromising desire to facilitate a finished work that is both as accomplished and complete as possible. Unlike other perspicacious and gifted editors of my experience, his approach never feels heavy-handed. Results are attained through dialogue and teamwork, made possible in turn by unflinching consideration for the author’s vision.
Andrew Coulthard – This Twisted Earth (Vol.1)


Dion promises to help an author make their work the best that it can be. He achieves this through an excellent understanding of the writing process, plot, characterisation, and pace. Dion has an eye for details, picking up on small facts and inconsistencies to make it all the more believable. He balances the need to change parts with a sensitive approach – a testament to his skills as a negotiator. He encouraged me to think through changes myself, and any suggestions he made were well thought-out. He never forgets that this is your book, and his support and patience make the editing experience a rewarding process.
Paul MelhuishHigh Cross


This was my first experience with an editor (outside of academia), and you made it a pleasant one. I was worried that things would be changed without my permission, I wouldn’t get a final say in things, etc. and you took those fears away. I procrastinate and am anxious by nature, but the process was a lot less stressful that I thought it would be. And I genuinely believe that you helped make my story better.
Nikki Tanner – Sunny, with a Chance of Zombies

Get To Know Me

I’m amazed this is your first go as an editor. I’ve been impressed by the speed and precision of your responses, the organizational abilities displayed thus far and the excitement for the project you convey to all participants. I can honestly not think of a single interaction which could’ve been improved upon.
Chris Bauer – Sunny, with a Chance of Zombies


I hate editing – I tend to put it off for ages. I’ve had other edits done on short stories I’ve published but they have largely been cosmetic changes and have certainly not been such a collaborative process. I was worried that I’d feel a bit ‘precious’ about making changes but your comments were so constructive that it didn’t feel like I was tearing the heart out of my story.
Hereward L. M. Proops – This Twisted Earth (Vol.1) / The Degeneration of Hortensia Phrigg


You went into a level of detail that I hadn’t experienced before, which was difficult for me as my confidence is paper thin, but you dealt with it in such a way that I wanted to improve, and kept coming back for more! You were also far less dictatorial than it seems a lot of editors are. You explain the reasons for your suggestions, accept it when there is a (valid) reason not to change something, and also accept when you thought you made a mistake, which shows a great strength of character.
Jacob Prytherch – This Twisted Earth (Vol.1)


There was never a change without a valid justification and you were open to a dialogue which ended in a mutually approved draft. You were quite insightful and enthusiastic. The enthusiasm counted for a lot and eased the sting of any criticisms or change requests. All your changes seemed well-informed and came from a place with an eye to improve the story. There was no feeling that you wished to stamp your influence on it or were heading off on the wrong path. It all seemed to be good-hearted, effective prose-polishing and I got a general sense of the writing getting tighter and dead wood being shaved. Which is exactly what a person would pay for.
Matt Lewis – This Twisted Earth (Vol.1) / Karmic Chicken

See My Services

This was my first time working with an editor and you made it a very pleasant experience. I thought the editing process would be a bit overwhelming, but you made it manageable and relatively stress free.
Marc Kadushin – Sunny, with a Chance of Zombies

Cover image: Silkwash
Angeline Trevena
Cover Image: Matryoshka, by Penny Jones
Penny Jones
Cover image: There Goes Pretty
C.C. Adams
Cover image: The Degeneration of Hortensia Phrigg, by Hereward L.M. Proops
Hereward L.M. Proops
Cover image: The Return of the Samurai Slasher, by Mike Garley
Mike Garley
Cover image: The Cold, by Rich Hawkins
Rich Hawkins
Cover image: Fearless, by Allen Stroud
Allen Stroud
Cover image: Phoenix Point: The Briefing
Jonas Kyratzes & Allen Stroud
Cover image: Weed, by Joseph D'Lacey
Joseph D'Lacey
Cover image: Downwind Alice, by C.C. Adams
C.C. Adams
Cover image: High Cross, by Paul Melhuish
Paul Melhuish
Cover image: The House of Frozen Screams, by Thana Niveau
Thana Niveau
Cover image: The Rot, by Paul Kane
Paul Kane
Cover image: You Will Grow Into Them, by Malcolm Devlin
Malcolm Devlin
Cover image: The Veil, by Joseph D'Lacey
Joseph D'Lacey
Cover image 2: A Warning, by Kit Power
Kit Power
Cover image: Sunny, with a Chance of Zombies, by Dion Winton-Polak
Dion Winton-Polak
Cover image: This Twisted Earth, by Dion Winton-Polak
Dion Winton-Polak
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