Editing Iolo

Editing Iolo - image of Darwin Finds Goliath (a piece), by Yoojin Rhee, rendered in monochrome with elements in colour overlaid, the child reversed and enlarged.

Some writers are cautious about handing their manuscripts over to an editor. They worry that their work will be taken away from them, misunderstood, judged unfairly or otherwise spoiled by meddling fingers. The first time can be hard, and if you don’t know what to expect, you might find yourself overwhelmed. As such, I thought …

Read more

Share this page:

Treading water

Treading water - waters are deep and getting higher. Careful now...

If you’ve been following my business journey, you’ll know that I’ve gone from hobbyist to full time freelance editor through some tricky times. I kept my chin up and paddled – quietly confident and determined. Neither my skill nor my will has diminished, but savage waves have left my financial lifejacket somewhat deflated since I …

Read more

Share this page:

Do, or do not

Yoda quote - Do, or do not

The first and really only thing I wanted to be when I grew up was a writer. I loved books—loved the language that swept across the page, the worlds authors took me to and the revelations they unfurled. If I *had to dedicate my life to a single vocation, then this was it. I was …

Read more

Share this page:

Line edit love

Line edit love image by Tim Marshall at Unsplash

The art of writing is telepathic, communication in absentia. We can’t see the author’s facial expressions, we can’t hear their inflections as they tell their tale, feel their trembling excitement, smell their fear, nor taste their triumph. The mute shape of words are all that remain, modified by punctuation then stamped onto the page for …

Read more

Share this page:

(Net)working hard

You can be a smashing writer, smoothly running your business from the comforts of your home, but if you lack connections it’s damned hard to make a success of it. Fear not! Opportunities to meet people in the industry abound if you have the courage and the will to push yourself forward. We’re coming into …

Read more

Share this page:

Facing fears

Facing fears

Fear leers at us through the cracked lens of time; a thousand different forms threaten to reach through, clawing at our stomachs, crushing our throats, spearing our hearts with electric jolts. The present is not the problem, you understand. In the here-and-now we need only face what is and respond accordingly, but our minds… our …

Read more

Share this page:

Shush – flash fiction

Shush - flash fiction

As previously discussed, writing is hard, but I feel a responsibility as an editor to keep myself at the sharp end of it, my own skills to better empathise with and advise my clients. I picked out an evocative image to inspire me (those big bullies up there), and three key words I’d have to …

Read more

Share this page:

Losing the plot

Losing the plot

Some people have a very clear path in mind when it comes to writing. They’re super-organised: plotting it all in advance, figuring out the twists and turns of action and emotion. It sounds great in principle, but my brain doesn’t work that way. I’m more of a surfer, catching the wave of inspiration as it …

Read more

Share this page:

Just… so

Just... so

It started out with colouring, back when I was little – vast areas of white waiting to be brought to life with wax crayons, coloured pencils or felt-tip pens. The materials were always low quality, of course. We were poor. Crayons snapped under eager hands, pencils tore gashes in cheap paper, which had a habit …

Read more

Share this page:

Rotten Heart – flash fiction

Rotten Heart - flash fiction

As there’s a spare week this month, I thought I’d have another crack at some flash fiction. I was pleased with how last week’s came out, though appalled at my timing in retrospect. I mean, come on, Dion – a visceral piece about a miscarriage that close to Mother’s Day? Oof. My apologies. For this …

Read more

Share this page:

Perspective matters

Perspective matters

Perspective is critical to story. It provides the narrative voice your readers follow, gives us crucial insights and privileged information about characters and events; it even dictates (to a certain degree) how the plot unfolds. Fundamentally, it is the mechanism by which we understand and engage with the narrative. Get it right and you have …

Read more

Share this page:

Letting go

Letting go

Fear freezes us, very often. We tighten our fingers, clinging on to the known and the settled, but that instinct can be counter-productive. Ask any parent. I’ve got *three kids, and two of them are filling me with fear at the moment. I want to protect them, desperately, but I also know that if I …

Read more

Share this page:

End of year review 2021

End of year review, 2021

The last time I took proper stock of The Fine-toothed Comb was way back in March. It was supposed to be the first of my Quarterly Reviews but, as it turned out, it was also the last. The longer I spent bobbing about in the ocean of self-employment, the harder I found it to tread …

Read more

Share this page:

Stuff is nonsense

Stuff is nonsense

‘What do you want for Christmas?’ I used to have a million answers to that one; these days I’m more likely to say, ‘I don’t need anything.’ Hah! It always drove me mad when my parents said it, but I’ve started to come around to their way of thinking. Perhaps it’s age-related. Perspectives change over …

Read more

Share this page:

Want-to wants

Want-towants

Do you know what you want? Okay, but do you really want it, or do you just ‘want’ to want it? There’s a difference, see, and it took me a long time to understand that. Take writing, for instance. I’ve always had a facility with words, so writing and editing should have been a shoo-in. English Literature was my favourite subject at school, and I followed it right the way through to university, which begs the question…why did it take me so long to get into the industry?

Read more

Share this page:

Discomforting (Parsing Judgement #2)

Discomforting (Parsing Judgement #2))

I’ve had some difficult conversations with clients (and prospective clients) over the years. People can be…resistant to constructive criticism, despite the fact they’re paying for it—all the more so if there’s an inherent issue to the writing that stains character and plot. Some of the most delicate conversations, I find, are those in which the issues of subconscious misogyny, racism or bigotry must be raised. Writing is intensely personal, after all. But look, horror fiction is my bread and butter; *context matters, so I’m here today to help parse the difference between portraying repugnant things and absorbing them into your writing.

Read more

Share this page:

Raising my game

Raising my game

What makes somebody a professional? At the most basic level, it’s earning your stripes well enough that perfect strangers will pay you to work for them. By those broad standards I already consider myself a professional editor, but there’s more to it than that. Laurels aren’t for sitting on. It’s one thing to be approached by indie authors or hired by small-press publishers, but quite another to be recognised by industry peers and leaders in the field. To that purpose, and to boost my ongoing professional development, I have now joined the CIEP.

Read more

Share this page:

We, the Remedials – a performed reading

Giant housefly. Text reads: We, the Remedials - a performed reading

Hello! We, the Remedials, welcome you to our humble hotel. We trust you will have a pleasant, comfortable and enlightening stay with us, however long it may last. If you find that you need anything, be sure and ask – that is why we are here, after all!

This is the latest of my performed readings, bringing your writing to life and hopefully helping to find you a few more readers. In this peculiar tale, our unremarkable hero finds himself out of his depth in the big city and trapped in a waking nightmare. Welcome to The Remedial. It’s been waiting for you.

Read more

Share this page:

Geek families (Finding Me, part 3)

Geek families (Finding Me, pt3)

I threw myself into fatherhood with great enthusiasm. We didn’t know what we were doing – who the heck does? – but Clo and I supported each other and figured things out as a team. One of the things we figured out early on was that children are adaptable. So long as she was loved and cared for, Summer-Rose would be perfectly able deal with whatever world she grew up in—and if that happened to include weekends camping in ruined castles while Clover and I got our medieval groove on, then all the better. It provided a change of scene and gave her some childhood magic.

Read more

Share this page:

Le Mort Vivant, pt2 – a performed reading

Image of The Phantom of the Opera, unmasked and burning. Text reads: Le Mort Vivant pt2, by Steven Chapman, performed by Dion Winton-Polak

Welcome to the second part of this month’s performed reading: Le Mort Vivant. Fleeing the hypnotic Violet, our monstrous youth returns to the questionable safety of home. Confronted by a scene of bloody murder, he finds the net closing in on all sides. Can he protect the girl from his mother? Is the mysterious stranger really his father? Can anything be salvaged from the conflagration? This is the conclusion of Steven Chapman’s secret origin of The Phantom of the Opera in all its tragic glory. (Oh, and here’s the link to part 1 in case you missed it.)

Read more

Share this page:
error: Content is protected
Skip to content