Critiques | Copy-editing | Line Editing | Proofreading
Editing has been the beating heart of my life since 2015, bringing me a sense of drive and purpose that no other career previously offered me. I gave myself 5 years to build The Fine-toothed Comb up from paying hobby to a self-sustaining business, gathering clients, experience, and testimonials along the way. The COVID-19 pandemic …
History is made in the edit. That might sound absurd. Surely history is what happened in the past? It’s people, places, and events, the forward march of progress or the weary slump of decline. You can’t edit the world. But history isn’t the world. It isn’t even the past. It’s our understanding of that past, …
Some writers are cautious about handing their manuscripts over to an editor. They worry that their work will be taken away from them, misunderstood, judged unfairly or otherwise spoiled by meddling fingers. The first time can be hard, and if you don’t know what to expect, you might find yourself overwhelmed. As such, I thought …
The art of writing is telepathic, communication in absentia. We can’t see the author’s facial expressions, we can’t hear their inflections as they tell their tale, feel their trembling excitement, smell their fear, nor taste their triumph. The mute shape of words are all that remain, modified by punctuation then stamped onto the page for …
Some people have a very clear path in mind when it comes to writing. They’re super-organised: plotting it all in advance, figuring out the twists and turns of action and emotion. It sounds great in principle, but my brain doesn’t work that way. I’m more of a surfer, catching the wave of inspiration as it …
Now that I’ve started to charge for my audio work, I’m flipping my Hobby weeks back to writing flash fiction. As previously discussed, writing is hard, but I feel a responsibility as an editor to keep myself at the sharp end of it, honing my own skills to better empathise with and advise my clients. …
Perspective is critical to story. It provides the narrative voice your readers follow, gives us crucial insights and privileged information about characters and events; it even dictates (to a certain degree) how the plot unfolds. Fundamentally, it is the mechanism by which we understand and engage with the narrative. Get it right and you have …
‘Kareem’s heart burned at being outplayed, at so many people being turned against him so easily. He reached the road on which the temple stood, and stopped. “Let me guess, they revived nationalist Odinism,” he said.’ With the advent of time-travel, history itself can be reshaped to fit our highest ideals. There are endless worlds …
There is a certain precarious feeling that will be familiar to any of you out there who are part of the gig economy. It doesn’t matter whether you’re building up your own freelance business (like yours truly) or if you’re chained to a corporation on a zero-hours contract—you have no surety of income, and that’s …
‘Last week alone this dreaded Curse had destroyed more than two thousand souls. When Pope Clement heard this news, he shrugged and damned the whole area. Nobody touched by the plague could be spared.’ As the Black Death ravages the land, Dominic struggles to balance caring for his sick daughter and doing his duty for …
What goes into making my performed readings? You know the ones. I’ve recorded a short story every month for the past year to share here at The Fine-toothed Comb. It’s been a hobby, an excuse to work with some new people, and an opportunity to showcase the results. The responses I received were universally warm, …
The last time I took proper stock of The Fine-toothed Comb was way back in March. It was supposed to be the first of my Quarterly Reviews but, as it turned out, it was also the last. The longer I spent bobbing about in the ocean of self-employment, the harder I found it to tread …
‘I could almost feel the kiss of the muzzle against my temple, the thrill of cold steel. They would kill me, if they knew, without a second thought.’ An extraordinary agent find a kindred spirit at Chez Romy Haag, during the age of Bowie and the Cold War. It’s easier to slip free of the …
Berlin 1936. The Weimar Republic is crumbling. Darkness is on the rise. In the fading decadence of Club Zauber, the mysterious Von Hart puts on quite a show.
Through the smoke and the spotlights, will his assistant Milosh see the final curtain fall?
I’ve had some difficult conversations with clients (and prospective clients) over the years. People can be…resistant to constructive criticism, despite the fact they’re paying for it—all the more so if there’s an inherent issue to the writing that stains character and plot. Some of the most delicate conversations, I find, are those in which the issues of subconscious misogyny, racism or bigotry must be raised. Writing is intensely personal, after all. But look, horror fiction is my bread and butter; *context matters, so I’m here today to help parse the difference between portraying repugnant things and absorbing them into your writing.
First up, I have to confess that I attended very few actual panels, no readings, and I avoided the karaoke bar like the very-literal plague. Well, here’s the Dion’s-eye view, anyway… The first day of FantasyCon was a wobbly affair, full of awkward moments and anxiety, calibrating and recalibrating as we came together for the …
I was going to focus this post on FantasyCon 2021, which I attended in Birmingham last weekend, but I found that I couldn’t engage with the event in the normal way. This is not a criticism – with Covid-19 still very much on the rampage, I’m not sure any of us felt entirely comfortable. Instead, I’m going to talk about the significance of the event to me past and present, my mental state leading up to it this year, the fears and hopes I carried, and the final actual experience of reconnection with my tribe.
What makes somebody a professional? At the most basic level, it’s earning your stripes well enough that perfect strangers will pay you to work for them. By those broad standards I already consider myself a professional editor, but there’s more to it than that. Laurels aren’t for sitting on. It’s one thing to be approached by indie authors or hired by small-press publishers, but quite another to be recognised by industry peers and leaders in the field. To that purpose, and to boost my ongoing professional development, I have now joined the CIEP.
This is the latest of my performed readings, bringing your writing to life and hopefully helping to find you a few more readers. In this peculiar tale, our unremarkable hero finds himself out of his depth in the big city and trapped in a waking nightmare. Welcome to The Remedial. It’s been waiting for you.
Writing is a very personal business, and entrusting someone with your manuscript can be a daunting prospect. It feels appropriate therefore, to set out the principles that guide me and the values I hold personally. You may judge me by them and hold me to them.