Editing the past to life – guest blog

Cover of Andrew Knighton's book: Ashes of the Ancestors against a background of glowing ashes.

History is made in the edit. That might sound absurd. Surely history is what happened in the past? It’s people, places, and events, the forward march of progress or the weary slump of decline. You can’t edit the world. But history isn’t the world. It isn’t even the past. It’s our understanding of that past, …

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When the Red Mist Rises – fiction

When the Red Mist Rises - fiction. Art by Sa Fonklor https://www.artstation.com/prints/art_print/eaLda/the-sickle

It’s the fourth week of the month, so we’re back in the realm of creativity. Read on for my latest piece of flash fiction. As usual, I’ve snagged an evocative image for inspiration: The Sickle, by Sa Fonklor. (With thanks to Eygló Daða Karlsdóttir for the heads-up. You always share such wonderful pictures!) I spotted …

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The Woods – indie book review

The Woods - book cover

‘If you go down to The Woods today, you’d better not go alone, It’s lovely down in The Woods today, but safer to stay at home…’ Hersham Horror has developed a modest range of short fiction and novellas over the last decade, always with an eye for quality, drawing upon fresh and upcoming talent. I’d …

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The Private Life of Elder Things – book review

Private Life of Elder Things

There is a discomfort to Lovecraftian fiction that continues to fascinate readers and writers alike, a century after H.P. Lovecraft published his first story. The sense of cosmic horror he engendered through his writing brought him fame, but it’s the Mythos formed from his dread *pantheon that embodies his literary legacy. It has proven to …

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Do, or do not

Yoda quote - Do, or do not

The first and really only thing I wanted to be when I grew up was a writer. I loved books—loved the language that swept across the page, the worlds authors took me to and the revelations they unfurled. If I *had to dedicate my life to a single vocation, then this was it. I was …

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In the Long Grass – flash fiction

In the Long Grass. SIlhouette of long grass and reeds in a pinkish dusky light. Behind, through the haze, an arachnoid centaur horror.

This was supposed to be a piece of flash fiction but it kind of grew in the telling. I went with it. As ever, I began with an inspirational image (this one courtesy of Eygló Daða Karlsdóttir) and three Key Words: Leavings, Hustle, Chuck As the story progressed and the antagonist insinuated herself into my …

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Line edit love

Line edit love image by Tim Marshall at Unsplash

The art of writing is telepathic, communication in absentia. We can’t see the author’s facial expressions, we can’t hear their inflections as they tell their tale, feel their trembling excitement, smell their fear, nor taste their triumph. The mute shape of words are all that remain, modified by punctuation then stamped onto the page for …

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For the many – flash fiction

A medieval warrior on horseback looks across a desolate landscape at a mountainous thing: a space shuttle on its launchpad, overgrown and forgotten.

We’re back in Flash fiction territory once more, stretching our creative muscles for a bit of fun. The inspirational image is called Cyberpunk, by artist Yuri Shwedoff, and the Key words we have to utisilise are Mercian, Rain God, and Laughter – brought to us this month by Peter Coleborn from a mysterious bit of …

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Nunkie’s M.R. James

Robert Lloyd Parry in full flow as M.R. James

ChillerCon is just around the corner, and my favourite storyteller will be there, so I thought it apt to reshare, expand and update my thoughts on Robert Lloyd Parry’s performed readings of M.R. James’ classic ghost stories. We’ll kick off with a primer for those who don’t know about M.R. James, so if you’re familiar …

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Shush – flash fiction

Shush - flash fiction

As previously discussed, writing is hard, but I feel a responsibility as an editor to keep myself at the sharp end of it, my own skills to better empathise with and advise my clients. I picked out an evocative image to inspire me (those big bullies up there), and three key words I’d have to …

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Losing the plot

Losing the plot

Some people have a very clear path in mind when it comes to writing. They’re super-organised: plotting it all in advance, figuring out the twists and turns of action and emotion. It sounds great in principle, but my brain doesn’t work that way. I’m more of a surfer, catching the wave of inspiration as it …

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Rotten Heart – flash fiction

Rotten Heart - flash fiction

As there’s a spare week this month, I thought I’d have another crack at some flash fiction. I was pleased with how last week’s came out, though appalled at my timing in retrospect. I mean, come on, Dion – a visceral piece about a miscarriage that close to Mother’s Day? Oof. My apologies. For this …

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Stilled Life – flash fiction

Stilled Life - flash fiction

Now that I’ve started to charge for my audio work, I’m flipping my Hobby weeks back to writing flash fiction. As previously discussed, writing is hard, but I feel a responsibility as an editor to keep myself at the sharp end of it, honing my own skills to better empathise with and advise my clients. …

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Perspective matters

Perspective matters

Perspective is critical to story. It provides the narrative voice your readers follow, gives us crucial insights and privileged information about characters and events; it even dictates (to a certain degree) how the plot unfolds. Fundamentally, it is the mechanism by which we understand and engage with the narrative. Get it right and you have …

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The Electric Eye of the Silver God, Pt 1 – a performed reading

The Electric Eye of the Silver God

‘It seemed an appropriately mythic thing, to steal the treasure of a false deity before finally accepting that he was too old for heroics.’ On a world where all of Time has become…twisted, an Egyptian pharaoh sets out on a quest to help his dying friend. Accompanied by a spy, a monster, a Norse mechanic …

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Want-to wants

Want-towants

Do you know what you want? Okay, but do you really want it, or do you just ‘want’ to want it? There’s a difference, see, and it took me a long time to understand that. Take writing, for instance. I’ve always had a facility with words, so writing and editing should have been a shoo-in. English Literature was my favourite subject at school, and I followed it right the way through to university, which begs the question…why did it take me so long to get into the industry?

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Discomforting (Parsing Judgement #2)

Discomforting (Parsing Judgement #2))

I’ve had some difficult conversations with clients (and prospective clients) over the years. People can be…resistant to constructive criticism, despite the fact they’re paying for it—all the more so if there’s an inherent issue to the writing that stains character and plot. Some of the most delicate conversations, I find, are those in which the issues of subconscious misogyny, racism or bigotry must be raised. Writing is intensely personal, after all. But look, horror fiction is my bread and butter; *context matters, so I’m here today to help parse the difference between portraying repugnant things and absorbing them into your writing.

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From Tappet Woods – a performed reading

Cat guarding its precious book

Hello, my lovelies. Feb 20th is my birthday, so I thought I’d give you all a gift: an hour of audio entertainment, written and performed by yours truly. ‘From Tappet Woods’ was my attempt at creating a story in the vein of M.R. James—classical in tone, cosy yet unnerving, ambiguous and hopefully atmospheric. I’ll let …

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Flashes of inspiration #13 – Entries

Writing prompt: Businessman seated on a telephone wire. Watched by a crow.

Hey there, here are the entries for the latest Flashes of Inspiration contest. I’ve been joined by the lovely Tabatha Wood, who interviewed me last week. In case you weren’t aware, she has a collection of short horror fiction out, called Dark Winds Over Wellington. You can check it out here. Okay, so the words this week were Seminal, Ferocity, Pyjamas. We had 400 words to play with and we were looking to evoke a bygone age with our writing. Let’s see what we’ve got…

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Flashes of inspiration #13 – Challenge

Writing prompt: Businessman seated on a telephone wire. Watched by a crow.

Hi all, and welcome back to Flashes of Inspiration, my bi-weekly flash fiction contest here at The Fine-toothed Comb. It’s been a busy week for me. Right now I’m ploughing my way through several short stories and a chunky novel, all for structural review. A convention has been announced, which I’ll be taking part in in various different panelly and workshoppy ways like some kind of pro. Oh, and I’m gradually losing the war against yoghurt. (Don’t ask.)

Anyway, enough about me. This is my forum for bringing creative people together in friendly competition. All I’m after is 400 words of imaginative prose or poetry, using the above image for inspiration. Literal interpretations are fine, as are figurative, tonal, and thematic. Whatever floats your dream-boat. I’ve been setting some specific challenges of late to try to push my own writing a bit. This week, let’s try making our narratives sound like they were written in a bygone era.

In addition, I have 3 key words that must be used in your piece in some way, shape, or form. These are:

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