What do people look for in a copy-editor? It seems nuts to say it, but the full importance of this question didn’t really sink in until recently. Not to any kind of depth. The basic needs are obvious: (i.) to catch your mistakes before publication, and (ii.) to help improve your writing. But what makes an editor shine? We’re going to dig into that a bit today.
From Tappet Woods – a performed reading
Hello, my lovelies. Feb 20th is my birthday, so I thought I’d give you all a gift: an hour of audio entertainment, written and performed by yours truly. ‘From Tappet Woods’ was my attempt at creating a story in the vein of M.R. James—classical in tone, cosy yet unnerving, ambiguous and hopefully atmospheric. I’ll let …
Into The Great Western Woods (Unstoppable Authors)
Angeline Trevena: an unstoppable author
Hi folks, there’s no flash fiction contest this week, so instead let me introduce you to a good friend of mine, Angeline Trevena. She’s an author, a podcaster, and an all round good egg. If you’re at EdgeLit this weekend there’s a high chance you’ll get to meet her. Tell you what, why don’t I shut up and let her tell you why that’d be a great thing to do? Over to you, Angeline.
Channelling the flow
…and spreading the cost
Professional editing is vital but, taken in a single chunk, it represents a financial cost that many independent authors (and indeed some independent presses) balk at. This is a problem because – even if the core work is good – it can be undermined by plot inconsistencies, lacklustre characterisation, or simple technical errors. You may save money on the project but the cost of cutting corners can be huge.