What’s the point of proofreading? How essential is an editor?
You already have an inkling that I may be of use to you or else you wouldn’t be checking my site out, but you’re also probably trying to figure out if you really need to pay somebody to check your work. I mean, you’re careful, right? Or at least you could be more careful if you put your mind to it…
The best tightrope walkers and trapeze artists work without a safety net – pulling off amazing feats, wowing their audiences, and doing it all on their own. You might be that good. If you do slip, though, if you publish something that has fundamental plot-holes; inconsistencies of character or world-building; poor spelling or grammar; awkward dialogue – the list of possibilities goes on – you will start to suffer reputational damage and your career could come crashing down before it has properly begun.
I can be your safety net. I can catch your slip-ups before the paying public settles down to enjoy your ‘act’. Everybody gets snow-blind about their work after a while. I can be a fresh pair of eyes for you. I can spot your gaps, eliminate your errors, and react to your story as a first reader. My style of editing is both supportive and collaborative. We’ll work together in close partnership to hone the project to your vision then polish it to the finest shine. My services are flexible, wide-ranging, and reasonably priced.
Want to see what other clients think of my work? Check out my Testimonials page.
‘This is my first time working with an editor and you made it a very pleasant experience. I thought the editing process would be a bit overwhelming, but you made it manageable and relatively stress-free.’
‘The thing with Dion is that his passion and enthusiasm shows through in every project he works on. From conception to final proof, his level of dedication is second to none.’
‘You went into a level of detail that I hadn’t experienced before, which was difficult for me as my confidence is paper thin, but you dealt with it in such a way that I wanted to improve, and kept coming back for more! You were also far less dictatorial than it seems a lot of… Read more “I wanted to improve, and kept coming back for more!”
‘I must say that the biggest thing for me has been how personable and approachable you are (both via email and social networking) which is really important. You feel like a real person, rather than a red pen! I found your editing both sympathetic and strict, which is exactly the balance it needs to be.… Read more “Personable and approachable”
‘I’m amazed this is your first go as an editor. I’ve been impressed by the speed and precision of your responses, the organizational abilities displayed thus far and the excitement for the project you convey to all participants. I can honestly not think of a single interaction which could’ve been improved upon.’
‘As an editor, Dion is possessed of a keen eye for detail tempered with a loving grasp of the narrative whole. His passionate editorial approach is driven by the uncompromising desire to facilitate a finished work that is both as accomplished and complete as possible. Unlike other perspicacious and gifted editors of my experience, his… Read more “Loving grasp of the narrative whole”
‘Dion proves himself very thorough and accurate in his work with us and has shown a particular sensitivity to and respect for the author’s work. His enthusiasm for the project is coupled with his professional manner and reliability with deadlines.’
‘I hate editing – I tend to put it off for ages. I’ve had other edits done on short stories I’ve published but they have largely been cosmetic changes and have certainly not been such a collaborative process. I was worried that I’d feel a bit ‘precious’ about making changes but your comments were so… Read more “Such a collaborative process”
‘It was fun. Glad to say, it wasn’t too traumatic. I knew there were likely to be a few tweaks to help continuity (since I was submitting to a shared world book that was evolving all the time) but you also made suggestions that strengthened the story on its own merits.’
‘This was my first experience with an editor (outside of academia), and you made it a pleasant one. I was worried that things would be changed without my permission, I wouldn’t get a final say in things etc. and you took those fears away. I procrastinate and am anxious by nature, but the process was… Read more “A lot less stressful than I thought”
‘There was never a change without a valid justification and you were open to dialogue which ended in a mutually approved draft. You were quite insightful and enthusiastic. The enthusiasm counted for a lot and eased the sting of any criticisms or change requests. All your changes seemed well-informed and came from a place with… Read more “Exactly what a person would pay for”
‘Courteous, professional, thorough – Dion seems to instinctively grasp that the role of a good editor is to help shape and hone the text into the best it can possibly be. Unafraid to make bold suggestions, he’s also deeply responsive to a writer’s vision and voice. Working with him on my frankly bloody awkward collection… Read more “Deeply responsive to a writer’s vision”
‘Dion promises to help an author make their work the best that it can be. He achieves this through an excellent understanding of the writing process, plot, characterisation, and pace. Dion has an eye for details, picking up on small facts and inconsistencies to make it all the more believable. He balances the need to… Read more “He never forgets that this is your book”