Making noise

Making noise

What goes into making my performed readings? You know the ones. I’ve recorded a short story every month for the past year to share here at The Fine-toothed Comb. It’s been a hobby, an excuse to work with some new people, and an opportunity to showcase the results. The responses I received were universally warm, …

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Splashes of Darkness – October edition

Splashes of Darkness - October edition

Comic-books are a medium, not a genre; they can tell any story and suit any palate. You want horror? I’ve got bottles of the stuff. Welcome to ‘Splashes of Darkness.’  I’m archiving my Splashes of Darkness posts for Ginger Nuts of Horror here at The Fine-toothed Comb as well, for easy access in case you …

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Letting go

Letting go

Fear freezes us, very often. We tighten our fingers, clinging on to the known and the settled, but that instinct can be counter-productive. Ask any parent. I’ve got *three kids, and two of them are filling me with fear at the moment. I want to protect them, desperately, but I also know that if I …

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End of year review 2021

End of year review, 2021

The last time I took proper stock of The Fine-toothed Comb was way back in March. It was supposed to be the first of my Quarterly Reviews but, as it turned out, it was also the last. The longer I spent bobbing about in the ocean of self-employment, the harder I found it to tread …

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Splashes of Darkness – September edition

Splashes of Darkness - September Edition

Comic-books are a medium, not a genre; they can tell any story and suit any palate. You want horror? I’ve got bottles of the stuff. Welcome to ‘Splashes of Darkness.’ I’m archiving my Splashes of Darkness posts for Ginger Nuts of Horror here at The Fine-toothed Comb as well for easy access, in case you …

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Stuff is nonsense

Stuff is nonsense

‘What do you want for Christmas?’ I used to have a million answers to that one; these days I’m more likely to say, ‘I don’t need anything.’ Hah! It always drove me mad when my parents said it, but I’ve started to come around to their way of thinking. Perhaps it’s age-related. Perspectives change over …

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Splashes of Darkness – August edition

Splashes of Darkness - August edition

Comic-books are a medium, not a genre; they can tell any story and suit any palate. You want horror? I’ve got bottles of the stuff. Welcome to ‘Splashes of Darkness.’ I’m archiving my Splashes of Darkness posts for Ginger Nuts of Horror here at The Fine-toothed Comb as well for easy access, in case you …

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See (eps 1 & 2) – tv review

See (eps 1 & 2) - tv review

In a post-apocalyptic future, Mankind has been devastated by disease, our species reduced to a mere 2 million souls, sightless and crawling on the face of the Earth. Generations later, society has reformed into tribes and developed new modes of survival, of communication, of battle and of culture to circumvent their blindness. Vision has become …

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Want-to wants

Want-towants

Do you know what you want? Okay, but do you really want it, or do you just ‘want’ to want it? There’s a difference, see, and it took me a long time to understand that. Take writing, for instance. I’ve always had a facility with words, so writing and editing should have been a shoo-in. English Literature was my favourite subject at school, and I followed it right the way through to university, which begs the question…why did it take me so long to get into the industry?

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Discomforting (Parsing Judgement #2)

Discomforting (Parsing Judgement #2))

I’ve had some difficult conversations with clients (and prospective clients) over the years. People can be…resistant to constructive criticism, despite the fact they’re paying for it—all the more so if there’s an inherent issue to the writing that stains character and plot. Some of the most delicate conversations, I find, are those in which the issues of subconscious misogyny, racism or bigotry must be raised. Writing is intensely personal, after all. But look, horror fiction is my bread and butter; *context matters, so I’m here today to help parse the difference between portraying repugnant things and absorbing them into your writing.

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Foundation – tv review

Foundation - AppleTV+

Foundation is one of the Apple’s tent-pole tv series and, frankly, the only reason I thought it might be worth the free trial. I’d heard good things about For All Mankind and Ted Lasso, but nothing caught my attention like Foundation when the project was first announced. Pretty strange, considering I’ve only read the first of Isaac Asimov’s novels – once – and that was 30-odd years ago. Anyway, I have now watched the first four episodes of the tv series, cursing the fact I’ll have to pay in order to see the last six. (Because I will pay, goddammit.) Here’s why…

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Re: Con-nection

Kelly White, Pippa Bailey, Myk Pilgrim, Joe McMahon, Nick Parkinson, Dion Winton-Polak

First up, I have to confess that I attended very few actual panels, no readings, and I avoided the karaoke bar like the very-literal plague. Well, here’s the Dion’s-eye view, anyway… The first day of FantasyCon was a wobbly affair, full of awkward moments and anxiety, calibrating and recalibrating as we came together for the …

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FCon-templation

Horrific Tales

I was going to focus this post on FantasyCon 2021, which I attended in Birmingham last weekend, but I found that I couldn’t engage with the event in the normal way. This is not a criticism – with Covid-19 still very much on the rampage, I’m not sure any of us felt entirely comfortable. Instead, I’m going to talk about the significance of the event to me past and present, my mental state leading up to it this year, the fears and hopes I carried, and the final actual experience of reconnection with my tribe.

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Raising my game

Raising my game

What makes somebody a professional? At the most basic level, it’s earning your stripes well enough that perfect strangers will pay you to work for them. By those broad standards I already consider myself a professional editor, but there’s more to it than that. Laurels aren’t for sitting on. It’s one thing to be approached by indie authors or hired by small-press publishers, but quite another to be recognised by industry peers and leaders in the field. To that purpose, and to boost my ongoing professional development, I have now joined the CIEP.

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We, the Remedials – a performed reading

Giant housefly. Text reads: We, the Remedials - a performed reading

Hello! We, the Remedials, welcome you to our humble hotel. We trust you will have a pleasant, comfortable and enlightening stay with us, however long it may last. If you find that you need anything, be sure and ask – that is why we are here, after all!

This is the latest of my performed readings, bringing your writing to life and hopefully helping to find you a few more readers. In this peculiar tale, our unremarkable hero finds himself out of his depth in the big city and trapped in a waking nightmare. Welcome to The Remedial. It’s been waiting for you.

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Principle, promises and values

Quill on parchment. Text reads: Principles, promises and values

Writing is a very personal business, and entrusting someone with your manuscript can be a daunting prospect. It feels appropriate therefore, to set out the principles that guide me and the values I hold personally. You may judge me by them and hold me to them.

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Geek families (Finding Me, part 3)

Geek families (Finding Me, pt3)

I threw myself into fatherhood with great enthusiasm. We didn’t know what we were doing – who the heck does? – but Clo and I supported each other and figured things out as a team. One of the things we figured out early on was that children are adaptable. So long as she was loved and cared for, Summer-Rose would be perfectly able deal with whatever world she grew up in—and if that happened to include weekends camping in ruined castles while Clover and I got our medieval groove on, then all the better. It provided a change of scene and gave her some childhood magic.

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Le Mort Vivant, pt2 – a performed reading

Image of The Phantom of the Opera, unmasked and burning. Text reads: Le Mort Vivant pt2, by Steven Chapman, performed by Dion Winton-Polak

Welcome to the second part of this month’s performed reading: Le Mort Vivant. Fleeing the hypnotic Violet, our monstrous youth returns to the questionable safety of home. Confronted by a scene of bloody murder, he finds the net closing in on all sides. Can he protect the girl from his mother? Is the mysterious stranger really his father? Can anything be salvaged from the conflagration? This is the conclusion of Steven Chapman’s secret origin of The Phantom of the Opera in all its tragic glory. (Oh, and here’s the link to part 1 in case you missed it.)

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Le Mort Vivant, pt1 – a performed reading

Mask of The Phantom reflected in water and flame

This month’s performed reading is Le Mort Vivant, by Steven Chapman. It’s the tale of a monstrous youth. Hiding in the shadows of the Palais Garnier, a masked figure looks longingly at a world he’s forbidden to touch—until he chances upon a precocious girl at the heart of his lair, and a ghastly family secret. Yes – this is the secret origin of The Phantom of the Opera in all its tragic glory. The story is longer than usual, so I’ve taken the decision to split it in two, breaking off at an appropriate point. Fear not, pt2 will arrive next week, so you won’t have to wait long.

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The Minotaur (Finding Me, part 2)

Minotaur in the labyrinth

It’s a funny old business, life. Some people seem set up, right from the start. They know who they are, what they are, and how to get along. Some folk even seem to know what the future holds for them – or at least they have firm plans. I was a late starter; blinking, dazed, and unsure of myself. University gave me independence and self-confidence, my girlfriend gave me love and companionship, and I thought that was all I’d need. It was stability, but I still hadn’t found ‘me’. Not yet.

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