Hi there. It’s been a while, huh? I hope everything’s still going well with you.
I’ve been in a bit of a transition period here at The Fine-toothed Comb. Levelling up, you might say.
Critiques | Copy-editing | Line Editing | Proofreading
Hi there. It’s been a while, huh? I hope everything’s still going well with you.
I’ve been in a bit of a transition period here at The Fine-toothed Comb. Levelling up, you might say.
The blog’s not been happening as regularly as I’d have liked. It stems from a number of issues but the root of it all is that writing is hard. Coming up with new things to say, or even forming fresh takes on old topics takes a lot of time and effort, and all the while there are voices in the back of your head saying things like ‘Who’s going to read this?’ or ‘Who’s going to care what I think?’
From my university days onwards, the distance between us meant I’d only see my parents three or four times a year, and then for just a few days at a time. That was usually enough because we tended to slip into old patterns of behaviour: the picky, argumentative parents and the touchy, truculent child. We loved each other best in small doses.
Professional editing is vital but, taken in a single chunk, it represents a financial cost that many independent authors (and indeed some independent presses) balk at. This is a problem because – even if the core work is good – it can be undermined by plot inconsistencies, lacklustre characterisation, or simple technical errors. You may save money on the project but the cost of cutting corners can be huge.
I’d had a late night playing darts for the local team. We didn’t exactly cover ourselves in glory, so I was a little tired and a little blue come Friday morning. I ended up missing my train by a single minute