I’ve had some difficult conversations with clients (and prospective clients) over the years. People can be…resistant to constructive criticism, despite the fact they’re paying for it—all the more so if there’s an inherent issue to the writing that stains character and plot. Some of the most delicate conversations, I find, are those in which the issues of subconscious misogyny, racism or bigotry must be raised. Writing is intensely personal, after all. But look, horror fiction is my bread and butter; *context matters, so I’m here today to help parse the difference between portraying repugnant things and absorbing them into your writing.
Survivor’s Guilt
Everybody dies, there’s no getting around it, but we each hope to leave the world a little better through the lives we touch, the changes we enable and make, the children we bring up. If we are very lucky, friends and family members, sometimes people in the wider world, will reach out to tell us …
