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Comic-books are a medium, not a genre; they can tell any story and suit any palate. You want horror? I’ve got bottles of the stuff. Welcome to ‘Splashes of Darkness.’ I’m archiving my Splashes of Darkness posts for Ginger Nuts of Horror here at The Fine-toothed Comb as well, for easy access in case you …
‘Then the source of the stampede made itself apparent as Ahemait burst from the trees, turret swinging her cannon-mouth about. Horeb was standing atop her, rifle at his shoulder and mail gleaming.’ On a world where all of Time has become…twisted, an Egyptian pharaoh sets out on a quest to help his dying friend. Accompanied …
‘It seemed an appropriately mythic thing, to steal the treasure of a false deity before finally accepting that he was too old for heroics.’ On a world where all of Time has become…twisted, an Egyptian pharaoh sets out on a quest to help his dying friend. Accompanied by a spy, a monster, a Norse mechanic …
Comic-books are a medium, not a genre; they can tell any story and suit any palate. You want horror? I’ve got bottles of the stuff. Welcome to ‘Splashes of Darkness.’ I’m archiving my Splashes of Darkness posts for Ginger Nuts of Horror here at The Fine-toothed Comb as well for easy access, in case you …
‘I could almost feel the kiss of the muzzle against my temple, the thrill of cold steel. They would kill me, if they knew, without a second thought.’ An extraordinary agent find a kindred spirit at Chez Romy Haag, during the age of Bowie and the Cold War. It’s easier to slip free of the …
Comic-books are a medium, not a genre; they can tell any story and suit any palate. You want horror? I’ve got bottles of the stuff. Welcome to ‘Splashes of Darkness.’ I’m archiving my Splashes of Darkness posts for Ginger Nuts of Horror here at The Fine-toothed Comb as well for easy access, in case you …
In a post-apocalyptic future, Mankind has been devastated by disease, our species reduced to a mere 2 million souls, sightless and crawling on the face of the Earth. Generations later, society has reformed into tribes and developed new modes of survival, of communication, of battle and of culture to circumvent their blindness. Vision has become …
Berlin 1936. The Weimar Republic is crumbling. Darkness is on the rise. In the fading decadence of Club Zauber, the mysterious Von Hart puts on quite a show.
Through the smoke and the spotlights, will his assistant Milosh see the final curtain fall?
Foundation is one of the Apple’s tent-pole tv series and, frankly, the only reason I thought it might be worth the free trial. I’d heard good things about For All Mankind and Ted Lasso, but nothing caught my attention like Foundation when the project was first announced. Pretty strange, considering I’ve only read the first of Isaac Asimov’s novels – once – and that was 30-odd years ago. Anyway, I have now watched the first four episodes of the tv series, cursing the fact I’ll have to pay in order to see the last six. (Because I will pay, goddammit.) Here’s why…
First up, I have to confess that I attended very few actual panels, no readings, and I avoided the karaoke bar like the very-literal plague. Well, here’s the Dion’s-eye view, anyway… The first day of FantasyCon was a wobbly affair, full of awkward moments and anxiety, calibrating and recalibrating as we came together for the …
I was going to focus this post on FantasyCon 2021, which I attended in Birmingham last weekend, but I found that I couldn’t engage with the event in the normal way. This is not a criticism – with Covid-19 still very much on the rampage, I’m not sure any of us felt entirely comfortable. Instead, I’m going to talk about the significance of the event to me past and present, my mental state leading up to it this year, the fears and hopes I carried, and the final actual experience of reconnection with my tribe.
This is the latest of my performed readings, bringing your writing to life and hopefully helping to find you a few more readers. In this peculiar tale, our unremarkable hero finds himself out of his depth in the big city and trapped in a waking nightmare. Welcome to The Remedial. It’s been waiting for you.
It’s always awesome when a friend recommends something new, but there’s a special joy to be had when a: you’d never heard of it before, b: it’s not the kind of thing you’d usually buy, and c: it turns out you frigging *love it. So it was for me and Little Nightmares, a cute yet terrifying game from Tarsier Studios.
I threw myself into fatherhood with great enthusiasm. We didn’t know what we were doing – who the heck does? – but Clo and I supported each other and figured things out as a team. One of the things we figured out early on was that children are adaptable. So long as she was loved and cared for, Summer-Rose would be perfectly able deal with whatever world she grew up in—and if that happened to include weekends camping in ruined castles while Clover and I got our medieval groove on, then all the better. It provided a change of scene and gave her some childhood magic.
Welcome to the second part of this month’s performed reading: Le Mort Vivant. Fleeing the hypnotic Violet, our monstrous youth returns to the questionable safety of home. Confronted by a scene of bloody murder, he finds the net closing in on all sides. Can he protect the girl from his mother? Is the mysterious stranger really his father? Can anything be salvaged from the conflagration? This is the conclusion of Steven Chapman’s secret origin of The Phantom of the Opera in all its tragic glory. (Oh, and here’s the link to part 1 in case you missed it.)
This month’s performed reading is Le Mort Vivant, by Steven Chapman. It’s the tale of a monstrous youth. Hiding in the shadows of the Palais Garnier, a masked figure looks longingly at a world he’s forbidden to touch—until he chances upon a precocious girl at the heart of his lair, and a ghastly family secret. Yes – this is the secret origin of The Phantom of the Opera in all its tragic glory. The story is longer than usual, so I’ve taken the decision to split it in two, breaking off at an appropriate point. Fear not, pt2 will arrive next week, so you won’t have to wait long.
Anna is a dystopian novel, set a few short years from now. War has devastated us to the point of societal collapse. It’s a lawless, bleak and wretched place out there, but our protagonist has managed to survive it, picking her way through the Unlands and trying where possible to avoid the remnants of humanity. Her capture happens with shocking speed, and we are dragged along with her into a living nightmare of enslavement, degradation and manipulation in a cold and bitter world.
Hi folks, I’ve recently started a column for the Ginger Nuts Of Horror site, reviewing comics. This is partly to give me an excuse to get back into the medium as a reader, partly because reviewing is good exercise for the old analytical muscles, and partly just because I wanted to give something back to a community that has welcomed me with such open-heartedness.
I’ll be archiving here at The Fine-toothed Comb for easy access in case you miss any of them. There’ll be a separate post for August, September and so on.
Invincible is an 8-part animated superhero show based on a *long-running comic series by Robert Kirkman, famed for creating The Walking Dead—and if that doesn’t give you a big enough clue, I’m going to say this flat out: this is not one to plop your kids in front of while you sit on a Zoom call or potter round the house. But you though? You should totally watch it. It’s all kinds of awesome.
I first came across Telltale Games through their Walking Dead adaptation – an original story that played out like some kind of orgy-sparked bastard between a graphic novel, a choose-your-own-adventure book, and a point-and-click game, complete with hot-button action scenes. I remember it being pretty awesome, so I was excited to see more output following, in different genres.